Sicilian Cannoli Recipe

sicilian cannoli

Sicilian Cannoli are Italian dessert pastries that are marked by a sweet ricotta cheese filling piped into a light and crispy ‘tubular’ shell or ‘crust’. The shells are characteristically ‘blistered’ and remind me of a Samosa pastry.

The pastry shells can be purchased at almost any major grocery, or if you are a little more adventurous, and/or looking for authenticity all around, you can make your own. In Italian, ‘Cannoli’ is the plural of ‘Cannolo’ which loosely translated means ‘hollow tube’.   Speaking of which, if you were to go to Tim Horton’s and order a ‘panini’ this technically is the plural of ‘panino’. This is one of those ‘grinding-nails-on-a-chalkboard thing’ that gets to me when hear people say “I will have one cannoli or I’ll have a pannini”. Its actually one “Cannolo” or one “Panino” ~ sorry Timmies….

Back to ‘tubular shapes’…in order to form the shells, you will require tubular forms (usually made of steel or wood) to wrap the pastry around in order to bake or fry them.  One might ask ‘but won’t wood forms burn during the cook’? No, not really. The oil in the fryer should be about 350-360F at its hottest, and wood combusts above 410deg F.

Ingredients for Shells:

  • 2 cups flour, plus extra for dusting if needed
  • 2 tablespoons cocoa powder
  • 1 tsp sugar
  • Pinch salt
  • 2 tablespoons butter
  • 1/2 cup white wine
  • 1/4 cup water
  • Oil for deep frying

Directions for Shells:

To make sicilian cannoli shells:

In large bowl, mix together the flour,  cocoa, and salt, sugar and cut in the butter until evenly blended. Then gradually work in the wine and water to form a compact dough patty. Cover the dough in plastic and refrigerate for 1 hour. On a lightly-floured surface, roll out the dough to just less than 1/8-inch thickness. Using a decent size drinking glass with floured rim, cut out circles and cover.   Re-roll the scrap dough as above and form more circles.

In a deep fryer or heavy-bottomed saucepan, heat the oil to 350 degrees F. Wrap each circle around a tubular form, sealing the two edges that overlap with a little water by wetting and by pressing together. Carefully immerse a few shells at a time, into the hot oil and fry until golden and the skins blister. Drain the shells on paper towels, let cool and remove the molds from the cannoli.

For the Filling:

The Cannoli filling is a traditional one. One of the major issues with the filling for this dessert is that it can often be runny and not firm enough to stay compact inside the shell. Please refrain from adding more sugar to the mix if you find it is runny. Extra powdered sugar will only make matters worse. It will give you an overly sweet and pasty runny mix. To have a nice fluffy cream filling, the first key to this is to ensure the Ricotta has been completely drained of as much moisture as possible. Its best to use ricotta that requires cutting in the specialty cheese section at the supermarket – not the one in the plastic container.   Alternately, this can be done by putting a paper towel at the bottom of a collander and allowing the ricotta to sit for some time. The second key is to use granulated sugar in proportion to powdered sugar which will provide the mixture with some firmness. Lastly, the prepared semolina will impart more firmness, and in addition give it a mild citrus flavour as well.

Prepare Orange Cinnamon Semolina in advance:

For the Semolina you will need:

  • 2 cups of boiling water
  • ~ 3/4 cup uncooked duram semolina
  • 2 cinnamon sticks
  • 2 tbsp honey
  • 1 whole orange peel

In a saucepan, bring the water to a hard boil. Add the orange peel, cinnamon sticks and honey. Let boil until water takes on a tea stained tint and aroma. Remove the peels and sticks then gradually stir in the semolina and continuously whisk the mixture until cooked ~ about 5 minutes. Remove from heat and let cool. Then put in refrigerator until ready to use (can be made the day ahead).

For the Cheese Filling:

  • 1kg Ricotta Cheese (International style – best to use sheep’s milk ricotta)
  • 1-1/2 cups granulated sugar
  • 1 cup of icing sugar
  • 1 cup of prepared orange cinnamon semolina
  • 1 tsp vanilla

Directions for the filling:

In a stand mixer on medium to low speed, mix the ricotta and sugar by gradually adding the sugar a little at a time. add in the vanilla and then finally incorporate the semolina and mix until smooth. I find its best to then place the mixture in a tupper-ware and store in the fridge until just before ready to serve. This way, the shells remain nice and crunchy. When you are ready to prepare your tray, load a cake decorating piping bag or cookie press gun with the ricotta mix and pipe into the shells. Decorate the ends with candied fruit (authentic sicilian cannoli), chocolate chips, or in this case – cadbury mini eggs. Dust with powdered sugar (optional) and place in muffin papers on tray.

cannoli2

Enjoy!…

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Ideas and Inspiration for Today’s Renaissance Woman…

renaissance woman

A friend once said ‘wow, you’re a true renaissance woman‘. I was mildly offended because I equated that with being “old”. That said, I turned to Google to re-establish just exactly what that meant…(and then I thanked her for the lovely compliment…)

Renaissance Woman:
n.
“A woman who has broad intellectual interests and is accomplished in areas of both arts and sciences”.

The words struck me, as for the first time in my 50 years, I could adequately define the loves of my life.

As a child, growing up in steel town Hamilton Ontario in the 60’s, I’d thought that the love of arts and sciences was something that was uniquely ‘Italian’ and not necessarily attributed to women. After all, there were carpenters and artisans who made beautiful homes and helped to build our city, and at the same time, many of them had dual loves and spent their days working in the steel mills to support their true passions of agriculture, art and architecture at home.

Back in the old country, these men had taken their inspiration from some of the great masters like DaVinci, Michelangelo, Gallileo, and of course Dante, who made amazing contributions to both disciplines.

Growing up, I always questioned why the women were not made more examples of? After all, they were equally skilled in the arts and sciences. One woman who stick out in my mind was my Grandmother ‘Nonna Filomena’ or “Nonna Mena” as I called her. She was a miller’s daughter, who learned the process of making olive oil from scratch, who learned to colour the first commercially available fabrics in her town, and who could sew the most beautiful vestments out of those fabrics. Her needlework surpassed that of most women and she soon became the ‘dowry-mistress’ in town. The local ‘Lady’ who taught the art of fine needlework, of bobbin lace making (almost a a lost art) and precision embroidery to local young women, and brides-to-be; a true renaissance woman of her time.  She could often command a high commission and projects sometimes took over a year to complete.

Nothing today beats her table settings of twelve, with beautiful embroidered tablecloths and hand-stitched trimming on embroidered napkins adorning the Christmas or Easter Buffet. It’s like my Nonna is still with us and it fills our hearts.

Then, of course, my mother ‘Lina’, who came to Canada in 1958 at the age of 29 with two young children in tow. She descended from a long line of cobblers, seamstresses and tailors. She can still sew like the dickens even at 85.

A few years back when I worked as an engineer at the local steel mill, I was invited to attend the annual shareholders meeting for our company. Our Vice President (a woman) came to me, took me by the elbow and whispered In my ear ” my dear” she said, “where did you get that lovely dress”? I looked at her and said “Joan, I’m 42 years old, and my mother still sews my clothes for me”.

At that moment, I’d felt so blessed to have such a wonderful, giving, and talented mother.

One of her greatest passions however is to cook, and especially bake. Her cream puffs are to die-for, as is her Easter Pastiera ( a baked rice pudding pie we will post later) and both Sicilian and Venetian Cannoli made with 60 year old hand made wooden forms.

Through my years growing up, I’ve often said she can rival the worlds greatest chefs. She is my own personal ‘Lidia Bastianich’ only with a twist. We call her ‘Nonna’, not ‘Granma’. (which I believe makes our version of Italian a little different than our sisters in the USA). In Canada , we haven’t truly ‘melted’. There are still chunks of Italian tomato in the Canadian Sugo pot (and we call it ‘Sugo’ not ‘Gravy’).

Then of course there is my best friend in life and ultimate confidant ‘ my sister ‘. She is who I truly dedicate this endeavour to, for I have always thought of her as a gifted artist, teacher, and sister/mother who has a lot to teach the world….who at the age of 13 could take care of a 3 month old baby while her mother went to work. Who could make chicken soup from a whole chicken and feed a family of five. Who ironed, cleaned and made her own clothes and who could do this having never attended brownies or guides.

In these pages you will be exposed to some of her wonderful recipes, and beautiful artwork. You will experience some nostalgic stories as well as share some of your own and lastly you will be exposed to our ‘online museum’ of works of art from some of the great Italian Mistresses of the past’. I have come to learn about, and honour these women who have inspired so much of what is sought after in art and science and culture today.

Abbracci e Benvenuti to our Italian Sisters!
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